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Much like watching television, riding as a passenger is a largely passive experience which breeds a shared state of quiet inactivity. Every so often, a jolting experience to awaken the senses comes along to remind us that where we come from is gone, where we thought we were going was never there, and where we currently find ourselves is no good unless we can get AWAY from it. Aspiring etymologists are familiar with the Greek word “mnemonic,” meaning “the art of developing memory.” But for one particular group of Danish musicians named MNEMIC who are eager to carve out their own musical niche, their name can simply be taken as “the art of developing.” With humble origins as a 3-piece in1998, these Danes later added new members and recorded two demos. Their vision? Create something as heavy as death metal but dynamic in an unusual way. Having decided their own musical path, MNEMIC’s gore-infested lyrics became replaced by abstract topics – even philosophical ones - doused in human emotions. Described as everything from thrash metal to progressive metal, the quintet never tried to hide their appreciation and respect for the likes of Fear Factory, Meshuggah, and Strapping Young Lad; yet it’s important to note that MNEMIC are disciples of their own musical doctrine with their own independently creative techniques. Clarifying that their name is an acronym for “Mainly Neurotic Energy Modifying Instant Creation" and rather than risk their music being mislabeled, MNEMIC have called their spacey, polyrhythmic sonics – which are supported by keyboards, samples, and guitar synthesizers - “fusion future metal.” Introducing themselves to the metal world via their 2003 Nuclear Blast debut, Mechanical Spin Phenomena, the album revealed complex song structures and the technical & experimental undercurrents of the band’s collective personalities. Working at Antfarm Studios (Hatesphere, Heaven Shall Burn, Raunchy) in their native Denmark under the careful ears of producer Tue Madsen (Rob Halford, Kataklysm, The Haunted), the album title became a direct reference to the easy yet lifeless, repetitive way of living people blindly accept in exchange for the effort required in exercising their free will. Mechanical Spin Phenomena critiqued the evil, automated circle of life, which is the consequence of “civilized” of human existence. A performance at the Danish Music Awards marked the beginning of many exciting achievements for MNEMIC. They had the honor of opening Denmark's f